لو بتحبيني ..
ما تبصيش في عينيا
بصي الناحية التانية ..
شوفي أنا شايف إيه
اللي يحب يبان في جميع الناس حواليه
Archives
فيزو ولد ظريف يحب أهله وكل أصدقاءه وكل الناس ولكن أحيانًا فيزو لا يقدر أن يتعرف على أصدقاء جدد… إنه مكسوف!
إذا كنت تشعر بالكسوف من بعض الناس، اقرأ هذا الكتاب لتعرف أنك لست وحدك.
فيزو ولد ظريف يحاول أن يفعل المطلوب منه في معظم الأحيان ولكنه لا يحب التفاصيل ولا يكمل أي شيء لأنه يفضل اللعب والهزار!
هل يمكن أن يستمر هذا الوضع؟
اقرأ هذا الكتاب لتعرف حكاية نصف فيزو
حلوة اوى للأطفال اللي لسة يتعلموا القراءة بالتشكيل، و تنفع للصغننين للتعرف بالالوان
تفاحات، بالونات، جزرات، ألوان… كلها امتزجت لتكون لوحات عيد ميلاد آيات، تلك كلها نسجت رسومات ملونة بالوان أزرق، أحمر، أصفر، برتقالي، أبيض، هذه الألوان الطفولية التي تعكس براءة الأطفال. تجمعهم هذه القصة التي تحمل عنوان “عيد ميلاد آيات
From the winner of the Nobel Prize for Literature and author of the Cairo trilogy, comes Akhenaten, a fascinating work of fiction about the most infamous pharaoh of ancient Egypt.
In this beguiling new novel, originally published in 1985 and now appearing for the first time in the United States, Mahfouz tells with extraordinary insight the story of the “heretic pharaoh,” or “sun king,”–and the first known monotheistic ruler–whose iconoclastic and controversial reign during the 18th Dynasty (1540-1307 B.C.) has uncanny resonance with modern sensibilities.
Narrating the novel is a young man with a passion for the truth, who questions the pharaoh’s contemporaries after his horrible death–including Akhenaten’s closest friends, his most bitter enemies, and finally his enigmatic wife, Nefertiti–in an effort to discover what really happened in those strange, dark days at Akhenaten’s court. As our narrator and each of the subjects he interviews contribute their version of Akhenaten, “the truth” becomes increasingly evanescent.
Akhenaten encompasses all of the contradictions his subjects see in him: at once cruel and empathic, feminine and barbaric, mad and divinely inspired, his character, as Mahfouz imagines him, is eerily modern, and fascinatingly ethereal. An ambitious and exceptionally lucid and accessible book, Akhenaten is a work only Mahfouz could render so elegantly, so irresistibly.
Set in Cairo in the early 1950s, this novel portrays the psychological torment of Omar, an ardent revolutionary in his youth who in middle age has been left behind by Nasser’s 1952 Revolution. His conscience has died. As he struggles for psychological renewal, he sacrifices his work and his family to a series of illicit love affairs, which simply increase his alienation from himself and from the rest of the world.
A renowned Nobel Prize-winning novelist refashions the classic tales of Scheherazade in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories, made new by the magical pen of the acknowledged dean of Arabic letters.
Fatima loves poetry and wants to study French literature—both of which are anathema to her strict and conservative much older brother, Saqr. While living under his roof, Fatima’s hopes and dreams are scrutinized, mocked, and slowly crushed as she is forced into his narrow vision of the right path.
Then Fatima meets Isam, a poet like her; they email love letters to each other and meet in secret. Saqr, however, has other ideas: she is married off to Faris, a complete stranger. He is not the cruel tyrant her brother was, but still she did not choose him.
Will she escape her past to live the life of love and poetry she craves?
This is the story of one man and the Egyptian Revolution of 1952. Isa al-Dabbagh is a senior civil servant in the Egyptian government who loses his job, and his fiancee, when the Purge Committees of the Revolution bring his venal past to light. His personal relationships reflect the resulting internal conflict he suffers between mind and heart, between intellectual acceptance of the Revolution and the basic emotional instincts that hold him back.
The book starts out with Anis Zani, the protagonist, being disciplined by his boss for submitting a blank report. It’s revealed that Anis wrote the report under the influence of drugs, which prevented him from realizing his pen was out of ink. Anis and a group of fellow addicts get together every night to smoke keif on a houseboat on the Nile.
Samara, a young journalist, visits the group in order to report on them. The tranquility of the group collapses as they begin to argue about topics like love, morality and purpose. The downfall of the group is accelerated when, one night as they are taking a midnight excursion by car, they hit a person and flee the scene.